Mahalakshmi Serial Actress Hot Definition
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Mahalakshmi Iyer (Hindi: महालक्ष्मी अय्यर, also Mahalaxmi Iyer) is an Indian playback singer, best known for her Hindi and Tamil songs. She has sung in many Indian Mahalakshmi made her singing debut with Dus, which was Shankar–Ehsaan–Loy's debut as music directors in 1997, though the album released only in 1999. Later, she went on to work frequently with them. She then sang the track Ae Ajnabee with Udit Narayan for A. R. Rahman in Mani Ratnam's Dil Se.. (1998).
Since then she has sung many songs in films, serials, jingles and original albums.[2] She was part of several successful soundtracks such as Mission Kashmir, Yaadein and Saathiya and worked with some of the biggest music composers like A. R. Rahman, Shankar–Ehsaan–Loy Anu Malik, Jatin-Lalit and more.
She has also sung for many Yash Raj Films' biggest hits like Dhoom 2, Bunty Aur Babli, Salaam Namaste and Fanaa and most recent successful albums like Ta Ra Rum Pum and Jhoom Barabar Jhoom.
She was known for her performances in songs like "Kabhi Sham Dhale" from Sur – The Melody of Life (2002), "Har Taraf" from Rishtey (2002) and for hit songs like "Chup Chup Ke" from Bunty Aur Babli (2005), "Aaj Ki Raat" from Don: The Chase Begins Again (2006) and "Bol Na Halke Halke" from Jhoom Barabar Jhoom.
She also sang on the Academy Award winning song "Jai Ho" for A. R. Rahman in the film Slumdog Millionaire (2008). Specifically, she sang the Urdu words between the short "Jai Ho" chants, as well as portions of the verses (most of which were sung by Sukhwinder Singh).[3]
She has also rendered her voice to many private album remixes notably Aaja Piya Tohe Pyar and Baahon Mein Chali Aao, which was originally rendered by the legendary Lata Mangeshkar. Mahalakshmi has also recorded hundreds of commercial advertisements on television.languages, including Hindi, Tamil, Telugu, Marathi, Bengali, Gujarati, Assamese, Kannada and Malayalam.[1]Mahalakshmi comes from a musical family. Her mother is a Carnatic classical singer. She began learning Hindustani music at an early age as did her three sisters, Kalpana, Padmini and Shobha. Iyer grew up in Mumbai and is a graduate of St. Xavier's College, Mumbai, where she took up classes in Urdu to perfect her pronunciation .[2]
This is a popular verse known as Mahalakshmi Gayatri. Gayatri is the name of the metre in which this verse was composed, just like the sonnet in English, gayatri is the name of this metric, which contains 24 syllables. Every deity, which is a divine aspect present in Hindu culture, has a gayatri. This verse is composed of small striking features of the deity in question, as is described in the Puranas, stories from Hindu mythology. This gayatri was composed for Mahalaksmi (commonly referred to as Lakshmi also) and it describes her as the wife of Vishnu, he who sustains creation. Within the context of self-knowledge, Vishnu is the creator and Lakshmi symbolizes his shakti power, the raw material of creation, resources and wealth. The idea is that consciousness alone does not create; it needs the blessings of shakti, the creative power, symbolized in the form of Laskshmi.
Ritualistically, a verse such as this is used in complex rituals, which involve other chants like Sri Suktam or Purusha Suktam and therefore it is associated with Rig Veda, where they come together. But this addition of Mahalakshmi Gayatri is attributed to Rshi Brgu and is not a verse of the Vedas on its own. Occasionally, this verse is chanted at the end of these more elaborate chants. This process is not dictated by logic and should not be analyzed academically. The ritualistic procedures, as well as the verses, were received by the rshis (wise ones) in meditation, in a manner that they should be performed to obtain a certain result. It is said that the practices to access this type of visualization are currently unknown, and it is further said that the creator provides this ability to people at the right time.
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